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INESSA GALANT Répertoire Projets : VERDI - TCHAIKOVSKY
soprano MAHLER : SYMPHONIE N°2
représentation en France, Belgique, Luxembourg et Suisse
avec l'autorisation de Hermana Brauna Fonds
Collaboration avec Yehudi Menuhin, Kent Nagano, Myung-Whun Chung, Valery Gergiev, Antonio Pappano, Steven Mercurio, Miguel Gomez-Martinez, Vladimir Fedoseyev, Neeme Järvi, Eri Klas, Vassily Sinaisky etc.
Opéra : Théâtre des Champs-Elysées, Moscow Bolshoi Theatre, Scottish Opera Glasgow, Opéra National de Letonie, Deutsche Opera im Rhein Düsseldorf, Baltimore Opera, Detroit Opera, Florida Grand Opera etc.
Festivals : Festival Radio France Montpellier, Festival de Saint-Denis, Festival d'Evian, Bard Music Festival, Newport Music Festival, Festival de Glyndebourne etc.
Concerts : France, Grande Bretagne (Wigmore Hall, Royal Albert Hall, Barbican Center), Suisse, Pays-Bas (Concertgebouw Amsterdam), Russie (Moscow Kremlin), Belgique, Luxembourg, Lettonie, Israël, Etats-Unis (Hollywood Bowl), Australie et Corée du Sud
Enregistrements : "The Debut" - disque de platine, "The Tchaikowsky Experience" (BMG, Royal Opera Orchestra, chef d'orchestre Neeme Järvi), "Arias from Verdi's late operas" - Gramophone magazine editor choice (octobre, 2003), "Arietta" - reconnu par BBC comme le meilleur enregistrement paru dans la catégorie musique classique, etc.
"Her singing is interpretation at a thrilling level"
Melbourne Post
"Galante...can summon and sustain any mood or emotion"
Boston Globe
"...a Norma to rival that of Callas..."
Classic CD
"....recorded live in a way that brings a vivid and exciting sense of contact...she impresses as a singer of memorable individuality...who induces a thirst for more"
Gramophone, 1997
"There is something about Galante's voice that is ineffably moving whatever she sings"
CLASSIC FM Magazine, 1997
"The Latvian soprano has one of the loveliest voices of our time, smooth and rich and, at its center, comparable in quality to Gheorghiu's"
Gramophone, 2002
Inessa Galante, the Latvian soprano,making her UK stage debut… shows that the admirable intensity and range of colour on her recordings is no studio artefact. She is a thrilling dramatic soprano and the best reason for catching this production...
The Guardian, 2003